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			   Author 
			  Shane MacDougall says that many of today's popular beliefs about 
			  vampires (their habits, strengths, and weaknesses) derive from 
			  films and modern novels, and bear only tenuous relation to ancient 
			  vampire myths and folklore. 
			  For instance, he says that the Chinese Chiang-Shih is that rare 
			  vampire affected by garlic, mirrors, running water, and 
			  shapeshifting; most vampires aren't. Furthermore, vampire folklore 
			  varies widely throughout the world, at least if one defines 
			  vampire broadly, which MacDougall does. Psychic vampires qualify.
 Much of the book is arranged by nations, making it easy to look up 
			  each country's vampire folklore. Not every nation on Earth, but 
			  it's an extensive and diverse listing, with entries from six 
			  continents (Antarctic appears to be Earth's only vampire-free 
			  continent!). Thankfully, this means the often overlooked Africa 
			  and South America are included.
 
 Yet while this book is a useful reference tool, it can't seem to 
			  decide whether it wants to be a reference tool or pop 
			  entertainment. Amid obscure and scholarly data are padding and 
			  fluff. Some entries are scant; a page or two -- and that includes 
			  illustrations (19 artists are credited). But while some 
			  illustrations are helpful or compelling, others are silly and 
			  irrelevant (such as photographs of campy women wearing fangs or 
			  carrying stakes). It's padding and fluff, and at 686 pages, this 
			  book doesn't need it.
 
 The sequence of chapters also seems calculated for a breezy read. 
			  The nationality chapters are interspersed between more general 
			  chapters. "A World of Vampire A-F" (Albania to France) is 
			  followed by "Becoming Undead," then "A World of 
			  Vampires G-L," then "Fighting the Undead," etc. 
			  Sometimes irrelevant sidebars pepper the chapters.
 
			  A sidebar on "Sirens" appears with the "Vampires of 
			  France" (why not with the "Vampires of Greece"?). 
			  The "Vampires of Byelorus" has sidebars on "Telepathy" 
			  and "Werewolves In Movies." (Even if Byelorusian 
			  mjertovjecs are shapeshifters, what have they to do with
			  I Was A Teenage Werewolf?) 
			  Nothing wrong with irrelevant sidebars in a book intended to be 
			  read sequentially, but less appropriate for a reference tool.
 Yet despite the fluff and casual arrangement,
			  
			  The Vampire Slayer's Guide is a useful reference tool. The 
			  meat is scholarly and impressive, although as with any such 
			  extensive work, one can always nitpick.
 
			  In "Vampires of Transylvania," MacDougall writes: 
			  "During the time of Vlad Tepes, Romania's ruling class was 
			  composed of Romanian Szekelys and Hungarian Magyars." 
			  However, my father, who is a Szekeyly and born in Transylvania, 
			  insists the Szekelys are Magyars, albeit a subgroup, and in no way 
			  Romanian. (And as Magyar is Hungarian for Hungarian, 
			  "Hungarian Magyar" would be redundant).
 Elsewhere, MacDougall writes: "Tangled in the complex rural 
			  histories of Romania and other Slavic countries are a number of 
			  references to different types of Strigoi." However, Romanians 
			  have long insisted that they are not Slavic, but a Latin people, 
			  descended from Roman colonists (hence, Romanian).
 
			  No small point. Ethnic issues in Eastern Europe remain contentious 
			  and politically pregnant. The late Romanian dictator
			  Nicolae Ceausescu, in seeking 
			  Western aid, would stress that Romania is "a Latin island in a 
			  Slavic sea."
 I know less about the other nationalities in the book, and thus 
			  can't comment on it. I can comment on MacDougall's use of 
			  "revenant," which he defines as: "A corpse that has been 
			  reanimated and has risen as a vampire, ghost, zombie, or angel. 
			  For the purposes of this book, Revenant will be used as a term to 
			  describe those vampires that are human corpses that have returned 
			  from the dead. These vampires are often pale and shambling, their 
			  bodies showing signs of decay."
 
 It's no biggie, but I define a revenant as a corpse with a degree 
			  of self-awareness and intent (usually revenge, as often seen in
			  
			  Tales From the Crypt). By contrast, a zombie lacks 
			  self-awareness and is usually under another's control (e.g.,
			  White Zombie, I Walked With a Zombie), 
			  or is of the often mindless, flesh-eating variety. Unlike 
			  MacDougall, I don't equate revenants with vampires. But then, we 
			  use the term for different purposes. Like I said, no biggie.
 
 An oddity: The book prominently announces that Shawn MacDougall is 
			  the pen name of Jonathan Maberry. Likewise, the book's promotional 
			  material. Sort of defeats the whole point of having a pen name, 
			  no?
 
 Another oddity: MacDougall prefers C.E. to the "formerly" A.D. 
			  (Not so formerly, as most Americans still use A.D.) But then 
			  MacDougall defines C.E. as "Christian Era" rather than its "Common 
			  Era." I've seen both, but the former, again, sort of defeats the 
			  purpose, no? (And since we still name our days and months after 
			  pagan gods, why are Christian cultural references offensive?) 
			  Additionally, he uses both B.C. and B.C.E., alternating between 
			  the two in the same sidebar.
 
 Oddities aside, MacDougall does a fine job gathering vampire 
			  folklore from around the world, compiling their names and 
			  characteristics, along with tales and legends for many of them. 
			  The illustrations are attractive, if not always pertinent. All 
			  black & white, aside from a 14-page "Color Gallery." 540 pages of 
			  main text, plus 132 pages of appendixes covering vampire websites, 
			  unset groups, bibliographies, filmographies, glossary, etc.
 
			    
			     
 
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