Exit to Hell (2013, dir:
Robert Conway; cast:
Kane Hodder, Tiffany Shepis, Dan Higgins, Jason Spisak, Rena
Riffel)
Exit
to Hell is derivative trash, and not in a good way.
It's a boring mishmash of scenes culled from
Texas Chainsaw
Massacre and its copycats, from Tarantino's work (most notably
Grindhouse) and its copycats, and
from assorted torture porn
films.
The
film doesn't so much have a story, as a setup for a repetitive
cycle of violence. We have this desert town of Redstone,
which is inhabited by
redneck cannibals. Criminals enter (usually trying to
evade cops or other criminals) and are killed and eaten.
There is no main character, because newcomers to town die off so
quickly. We begin with two thugs, who kill and rob some
drug dealers. They escape to Redstone, but are quickly
killed by the locals.
We cut to a sleazy nightclub. Some of its employees massacre the
Russian mobsters who own this
nightclub, then escape to Redstone with the mob's money.
These employees are
the closest we get to having main characters, but most of
them are
killed (by the locals) midway into the film. And in very perfunctory
fashion.
The Russian
mobsters want their money back. They torture some witnesses to
the nightclub shooting, extract information, kill the
witnesses, then pursue their employees to
Redstone. Where the Russians are then killed by the
locals.
There are so many derivative, clichéd scenes in this film:
* There's the sleazy gas station owner, who reads porn.
Naturally, his gas station's restroom is filthy, with shit
on the walls, toilet backed up, and flies buzzing.
* There's the
evil, redneck sheriff who runs this town.
* The cannibal family includes a wheelchair bound
matriarch. She cackles as a young woman begs for mercy.
* A fire
and brimstone preacher blares forth from a cheap radio. The cannibal father admonishes his son to say
Grace before eating. Yes,
Exit to Hell takes the usual swipe at Christianity.
(Why is it that movie cannibals never practice one of the
other Abrahamic faiths?)
* There's the requisite nudity. A young woman is tied down
and stripped naked so that her breasts are exposed. She's
then tortured.
* This young lady is then killed with a ... yes, a
chainsaw.
*
The mobsters are in the usual Tarantino mold, combining
extreme brutality with self-referential irony, wry
observations, and clever quips.
* This film tries too hard to be gritty. Scratch marks, and
grain, and dirty spots flicker across the screen, as in an old 1970s print.
Also some overexposed frames, and spots where it looks as
if the print had broken and was taped
together by the projectionist. It's all very Tarantino.
Very
Grindhouse.
Exit to Hell is another example of style over
substance. Not only is there a lack of story, the film
lacks
engaging characters. Engaging characters
don't have to be likable. But they should engage our
sympathies, or at least, our interest. All of
this film's characters
are flat, one-dimensional caricatures.
This is a short film.
About an hour and 12 minutes,
not including credits.
I suppose one can speculate about the film's "symbolism
and deeper themes". It is called
Exit to Hell. Only lowlifes end up here.
We're told as
much by the sleazy gas station owner. Most of the characters
are lost in the desert before they find Redstone. (Although apparently, you can find it on a map, as do the
Russian mobsters.)
So maybe, Redstone really is
hell? If so, would that be clever, or a ripoff of
High Plains
Drifter? Unfortunately,
Exit to Hell is too uninteresting for me to
care.
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