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			   First 
			  off,
			  
			  The Blood Countess is not a horror novel, not 
			  a vampire novel. Instead, it's part morbid biography, part 
			  political tract. 
 There are two stories, told in alternating chapters. One is a 
			  fictionalization of the true-life Elizabeth Barthoy's depravities 
			  (no supernatural vampire stuff, just torture). The other story is 
			  set in the present, as Barthoy's Hungarian descendent returns to 
			  Hungary to come to terms with his past.
 
 Codrescu has a dense, turgid writing style that makes for slow 
			  reading. And it's boring. Hard to imagine that Barthoy's life 
			  could be rendered dull, but Codrescu manages, despite his 
			  discomforting torture scenes. There is too much "inner life" as 
			  his characters ruminate or philosophize about this and that, and 
			  not enough dialog. And when there is dialog, it's not crisp or 
			  pithy.
 
 Furthermore, Codrescu strikes me as dishonest and bigoted toward 
			  Hungarians.
 
 Dishonest, because the dust jacket for
			  
			  The Blood Countess claims that he's Hungarian, yet 
			  Codrescu is a Romanian name. This is supported by his book about 
			  Romania (The Hole in the Flag), 
			  which claims that Codrescu is Romanian.
 
			  So which is he -- Hungarian or Romanian? 
			  Maybe it's just a case of publishers trying to slant Codrescu's 
			  bio to fit his book, but it's not an idle question. Hungarians and 
			  Romanians have long suffered ethnic tensions and hostility toward 
			  each other, so one needs to know which side Codrescu is coming 
			  from to critically assess his books. 
			  Reading
			  
			  The Blood Countess, I get the sense that Codrescu is a 
			  Romanian who doesn't much like Hungarians. His present day 
			  Hungarian character does much ruminating about the national crimes 
			  and sins of the Hungarian people. In fact, his Hungarian character 
			  sounds like a Romanian who dislikes Hungarians.
 I'm not saying which ethnic group has more to complain about (I'm 
			  of Hungarian heritage). But I think readers should be aware of the 
			  animosity between these two groups, so they can take
			  
			  The Blood Countess's Hungarian-bashing with a grain of salt.
 
 Codrescu has also written a book on bigotry (The 
			  Devil Never Sleeps). But instead of preaching tolerance to 
			  others, he should do a reality check on his own animosity toward 
			  Hungarians.
 
			    
			     
 
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